More. Of. The. Projects

OK--where was I?  Projects.  Some short term, some long.  To continue

Getting the garden in.  Around here, the difference between "going to have a killing freeze tonight--too early to plant" and "it's getting too hot to plant" is about 72 hours.  So we've got zucchini, green beans, peppers, eggplants, tomatoes and herbs in.  And yes--that's weedcloth.  Sigh.  I would love to be old-school hippie and just use mulch and get out there and weed--but we admit defeat.  Every year we vow to keep up with the weeds.  "We'll get up early and go weed the garden in the cool of the morning" we say.  We have finally faced reality  and admitted that there is no such thing as "the cool of the morning" around here.  In the summer, the temps are in the 80's by 7:00 a.m. (heck--the middle of the night lows are in the 80's) and the humidity will be somewhere between 95% and 100%.  You can barely breath in the mornings.
 Hence--weedcloth.

So that was a busy few days digging up the garden beds, hauling in the compost, planting seeds, and putting in sets.  Each plant gets it's benediction of a scoop of worm castings--which bring me to another ongoing project--my worms.



Last summer I was raising those adorable little armadillos, who loved earthworms, so I started a worm bin.  After the little guys left, I still had some worms, and I got rather fascinated by how fast they could turn shredded newspapers and scrap food into compost.  So now the bin o' worms is a permanent feature in the guest room (because--guess what?  Red Wrigglers are sensitive to heat.  They wouldn't survive outside)  Every couple of months I can harvest the compost.  Of course--I have to pick out the worms.  There's a trick to it--they don't like the light, so you take the bin outside in the sun and scoop everything into a pile.  Then, after they dig down, you scoop off the top until you hit worms--and then you let it sit again for awhile.  Eventually, like a bunch of fish in the middle of a drying-up pond, you get down to mostly worms, which you thank, take inside, and fill the bin with fresh bedding.

Random Spinning.  Every 4 or 5 years I get a chance to go to a fiber festival, and pick up spinning fibers that I can't resist.  Often I'll spin a sample, or a bit, and then it goes in the stack.  In a rare case of "finish-it is" (that isn't supposed to have a space but autocorrect won't abide by that) I dragged some of them out and turned fiber into yarn.  I have more--of course--but  sometimes I think the fiber is prettier than the yarn and I just want to keep it that way.  (Of course, now I have to decide what to make with this.)

Weaving:  I own a loom (several, in fact).  This does not make me a weaver, merely a women with looms.  I like the idea of weaving more than the reality.  Possibly because I'm not very good at it--because I don't practice.  My last weaving was a set of dishtowels for a gift almost a year ago.  But sometimes in the evening I don't feel like watching TV and it's a bit early to go to bed, so I thought I'd get a project on to have available to toss the shuttle a bit.  Eventually these will be placemats.

 The Really Heavy Blanket:  Our niece Amanda asked me if I could make her a "weighted blanket."  Well, I was flattered that she wanted me to make something for her.  Weighted blankets are supposed to be good to reduce stress--the all over pressure is something like a hug, with some massage tossed in.  The concept is not difficult--you sew two layers of fabric together, make some pockets, and fill them with weighted pellets (you have to have the pockets, otherwise you'll just end up with all the filling at one end).  In

practice, it gets pretty tedious--you sew a line of channels, put about a shot glass of filling down each one, then sew across to secure it.  Continue until you've weighted 150 (!) pockets.  Meanwhile, the blanket is getting heavier and heavier (it topped out a 14 pounds). I admit to a feeling of trepidation when I started--I had ordered the pellets and the 20 pounds of them came in a medium-sized flat rate box, bulging at the seams.  I could envision an explosion of pellets filling up my sewing room.

 I did get it finished--and I even slept under it last night.  I have to admit that I slept pretty well--but possibly not well enough to go through making another one for myself.  

Knitting Swircles:  Through an on-line knitting/fiber arts sort of facebook I came across some archeologists wanting people to do spinning/knitting samples.  They are studying 16th century knitting, specifically (very specifically--archaeologists are like that) the lining of knitted hats.  So they are asking volunteers to knit "swircles" (small round swatches) from various wools, and then trying different finishing techniques to see if they can stab a guess at how the linings were made.  It seemed like fun, so I'm swircle knitting (finishing--meaning washing, shrinking, and trying to raise a nap--will come later).

And I believe that really is all of the projects--for now.  There are more waiting in line . . .

Reading:  I'm being followed by Vikings!  On my own, I was reading about Norse textiles, and Njal's saga.  Then Smithsonian magazine came out with an article on Vikings, as did National Geographic.  Then, last night, Nova had a program on Viking swords.  To cap it off, I found out that Neil Gaiman (one of my favorite authors) just published a new book--Norse Mythology.   So of course I'm reading it.

Late Spring

The weird weather system that dumped feet of snow on people in the Northeast merely brought us some gorgeous (perhaps a bit chilly) weather.  Which I found *really* frustrating, as I managed to catch a cold and breathing outside made my chest hurt.  But I was given a reprieve--after a couple of hottish days it cooled off again.  And we managed to take advantage.

Friday was work-related.  Because normally we wouldn't drive 75 miles south and eventually down a dirt road to an obscure boat dock on the Fenholloway River (officially described as a "small, blackwater stream).  But a bunch of students were having a field trip where they were learning how to take water quality samples, and Bob and I were to meet them at one point and talk about native animals.

After we got on that dirt road, it was beautiful, in that wild way that Bob called "quintessential North Florida."  It's wetlands and marshes and palmettos and wildflowers and just plain mysterious.  We got there early so had time to admire.  In a month or two, when the weather will be in the 90's and the air alive with mosquitoes and biting flies, I might not find it so admirable--but Friday was perfect.  Bob commented that it looked like it could be a computer screensaver.  I thought--"needs an alligator."  Then, right on cue, he appeared.  Perfect.

Wild Dixie Irist

 

Look closely--he's that double-dot floating in the water

 

The next day was a Archaeology Day at Wakulla Springs, when they open up the dig areas to the public and you can talk to the archeologists. While I'm fascinated by archeology, I could never, never work in that field.  It's far to precise and fussy for me.  At the Wakulla site, it consists of marking off precise squares, cutting them perfectly (I am amazed they can get straight walls in this sand, making it all level, then gently scraping off about 1/4 inch at a time to be sifted.  Their current excitement is over a *lot* of tiny stone chips, meaning that they found a spot where someone, or several someones, had been making arrowheads and spear points.  Even those chips carry information--if, for instance, they're from a rock that isn't found here, it can show that trading occurred.  But I wouldn't be able to do it--I'd be wanting to grab a shovel and just start digging.

We did the riverboat tour afterwards--because I'd never go to the Springs without going out.  It's been kept wild and untouched except for the boats, and the animals have gotten to the point that they ignore them.  Like Friday, it was almost cool, and clear, and the colors of the sky and water and trees looked almost artificial, like Disney World at it's finest.  I rested my head on my arms and watched it all slip past, and realized that I do love this primitive beauty where I've made my home.

And I need to remember these moments and store them for the months ahead when stepping outside into air that feels like hot moldy syrup and all the greens are the color of overboiled spinach.

Another sign of spring--for a few weeks we couldn't handle the hawk at the museum because even though she doesn't have a mate she still built a nest and laid eggs--and guarded them.  Trust me--you don't go near a broody hawk if you don't want to get those 3-inch talons in you.  On the other hand--it was pointed out that she looks like an angry muppet.

Reading:

Finished Woven into the Earth but am reading the companion book that gives details on the clothing construction.  These were every day clothes, but the craftsmanship on them is exquisite.

"Sourcery" by Terry Pratchett.  Anything by Pratchett is fun--he plays with words like a cat with a toy mouse.

All. The. Projects.

I had decided in January that this was going to be the year of the "project" blog--but haven't talked about many of them.  That's because when I think about writing about them I get overwhelmed and then wander off and start another one.  So I'm just going to list things that have been started (some finished) that haven't been mentioned yet.  Details will come later.

And now it's a few hours since I wrote that first paragraph and I don't even want to list everything at once.  So I'll just start and quit when I get tired (because it's midnight)

So--some ongoing, some finished.

1)  Scarf for Margo.  Some years ago I made an elegant charcoal gray angora Mobius cowl for Margo (the cowl is a circle with a half twist so you just toss it over your head and it snuggles around your neck).  During my visit in December she got it out--and while I truly appreciate that it's obviously been much loved over the last decade or so, time has not been kind and it rather resembles a drowned rat.  So I got some beautiful yak/silk fiber, spun it up, and knitted a replacement.  I think it's lovely . . . but the reaction was sort of like when a mother tries to get a new fluffy stuffed toy to replace her little girl's long-loved, threadbare, stuffing-coming-out, one-eyed bunny.  I don't think the gray one is going anywhere.


2)  My tushie cushion.  Bob looked over while I was doing this and said "uh--this isn't your usual knitting."  Very observant.  My usual knitting is of fine handspun, lovely colors, a bit fancy, using small needles.  This--I had a ball of cheap acrylic and was using it doubled on large needles and knitting a plain garter stitch square.  This is purely practical.  My back and I are often not on speaking terms, so I like to take hot soaking baths.  But when one is in the bath, the part that you want to pamper happens to be the part that is sitting on the hard tub.  You have to keep sort of bouncing up and down to get the warm water where you need it.  So I've made a quick-drying little cushion that keeps my tushie happy.  I'm really tempted to emulate a knitting designer's "bath-gan" which is a blanket you can use in the tub to cover all the parts that stick out of the water warm.  Maybe next winter.

3)  Big shawl.  I've mentioned before that I like to spin while walking.  This habit has gotten me several random skeins of yarn with no particular purpose.  I decided a couple of months ago to do a big project, one that would keep me inspired to keep spinning (and hence, continue the daily or sometimes twice-daily walk).  This shawl will eventually have 9 leaf-shaped panels--I just finished panel #3.  No rush--it will be at least November before it's cool enough to wear it.  I love the way the colors flow in this pattern.





4.  Warp-weighted loom model.  All this going and hanging around model conferences with Bob made me sort of want to enter a model.  But of what?  Tanks and jeeps aren't my thing.  Maybe dinosaurs--but there are a lot of people who do really good ones (including Bob).  The science fiction/fantasy category is usually under-represented--there's a thought.  But my world isn't plastic--mine is fiber.  Where will the worlds meet?  Well--they don't say *when* the fiction had to be written.  One of the books I've been reading is Njall's saga, which is definitely fiction, written sometime in the 13th century.  There is a loom in it which has intrigued me ever since I first heard about it some 15 years ago--the loom of the Valkyries, on which they weave the fates of men in battle.  The loom is made of weapons and body parts.  So far I've made the spears for the loom frames, and modeled and painted 10 decapitated heads to use as warp weights. I'm inordinately pleased with my little heads.  I thought about buying dolls at the dollar store and popping their heads off, but it would have been too cookie-cutter and I would have felt compelled to keep the headless bodies to "do something with." I was wondering what I could use, because "I can't sculpt."  But I was out there alone with no one to see me messing around with the clay, so I started sculpting.  And I like my little dudes--each one is different.  The have personalities.  They've been "corpsed" with a bit of toilet paper, painted, and had real silk hair added (the silk that I had of the right color and texture is actually a rather rare wild silk, but you use what you must).   I still need to make a sword to beat the weaving, some skeleton arms and hands to hold a heddle rod, and do a weaving that looks like it's done with intestines (although I might substitute blood veins--creative license).  This model should confuse people--if there's a WTF? award, I'm going for it.

OK--4 is enough for right now.  There's a half-dozen other things happening, and more in the pipeline, but it's a start.

And the Reading:

Finished Njal's saga!  My, that was a high body count.  But the textilian in me loves that sometime the attonment fine (the "man payment") often included a suit of clothes or a cloak.  The amazing one was when someone was bribing a lawyer and gave him a gold bracelet worth 1200 ells (!) of russet cloth.  Somehow it's hard today to think of going to pay someone off with a few bolts of cloth.

Still on "Woven into the Earth"--down to reading details of the structure of the clothing

"Respect the Spindle"--a book that not only discusses different spindles and techniques, but goes into detail of the physics involved.

"Mama Makes Up Her Mind, and other dangers of living in the South."  By Maude Bailey (I wrote of her "Quite a Year for Plums" a few posts back.  This was a collection of essays mostly centering around the author's eccentric and very Southern mother.

Bob is Secure In His Masculinity

Bob is once again updating his work room.  It's like a massive game of Tetris, seeing what he can fit in there (someday that corner of the house will come crashing down.  Maybe we should reinforce the foundation)   But he wants everything accessible as well.

Thus, the hunt for a set of drawers to put on his shelves.  What he wanted was a set of shallow drawers for his paints and scale-model stuff--shallow so things wouldn't get buried, and the type that pull out all the way (without falling out) so he could get to the back.  What he wanted was a set of tool drawers, like the top part of this set.

The problem was that the top lifts up--which wouldn't do any good on a shelf, and he would lose storage space.  There were some online, but sometimes you want to see something before you buy it--what if it ends up being cheaply made or with stuck drawers?  The search was on.

While doing an errand run, we decided to go into Sears.  No luck--all the small ones had the lift-up lids.  What he needed was the middle section of a three-piece set, but they're sold only in sets (because who else would buy the other two pieces missing the middle?).  So we wandered a bit--and there they were.  In the middle of an aisle, glowing.  There may have been a small chorus of angels trumpeting.  A stack of middle sections, on a very deep discount because (according to the salesman) for some reason the company had shipped too many middle sections.

So we looked.  And we laughed a bit.  And we looked around a bit more, just in case.  And we stared at them.  65% off the usual price.  Good construction.  Right size.  We laughed some more.  Finally I turned to Bob and said "could you live with those?"

Remember I said that they were glowing in the aisle? I meant that literally.

 

Yep.  Hot pink.  Made by a company called "Pink Box" (behave yourself--don't go there).  Tool chests for the "handyma'am"--someone who needs decent tool storage but still wants to show her femininity (I personally got over my hot pink stage by age 17)

But they were otherwise perfect--and on sale.  He decided that he was manly enough to deal with hot pink tool drawers.

Almost.  As well as the two sets of drawers, he picked up two rolls of digital camouflage duct tape.  Where there's a will . . .

 

(he also had to get some black drawer liners--that blast of hot pink every time he opened the drawers was just too much).

STILL READING

Woven into the Earth--this one will take awhile because it's basically an archaeology textbook.

Njall's saga.  Almost through with this--and it's getting to be a bit of a slog.  There's a certain formula--some new characters are introduced, then either they kill someone or get killed, and it has to be decided if it was done in a proper and manly way or a cowardly way, and then they have to decide if there will be a retaliatory killing or if an attonment can be paid.  Rinse and repeat.  Every now and then someone will get married, and then the wife has her husband, brother, or house servant go kill someone.

But I seem to be leading a trend.  Both this month's National Geographic and Smithsonian magazines had articles on the Vikings.

Respect the Spindle--because I was tired of the Vikings.  A somewhat technical book about handspinning with spindles (including a discussion of the physics involved)